Untitled
#photography
#belgium
#axel stevens
#35mm
#film
#Kodak portra 400
#signs
#geometry
#color
#canon ae-1
#steps
#leaves
#traffic sign
#painting
#paper
#photographs
#belgium
#axel stevens
#acrylic
#smear
#collage
#mixed media
#study
#paint
#grid
#booklet
#sketch
#scratch
#vernacular
#photography
#axel stevens
#belgium
#film
#expired film
#fujifilm
#fuji superia
#garbage
#sculpture
#street
#canon ae-1
#antwerpen
#antwerp
#table
#torn
#ripped
#photography
#belgium
#axel stevens
#film
#35mm
#canon ae-1
#garage
#print
#ilford
#ilfospeed
#walker evans
#conceptualism
#documentary
Tower Blocks
Tower Blocks
#photography
#belgium
#axel stevens
#historicity
#ruins
#site
#stone
#rock
#ardennes
#building
#Kodak Tri-X 400
#agfa isola
#mediumformat
#film
#print
#darkroom
#paper
#black and white
#Structure
Triangulation
Work shown by Axel Stevens
Group show “Hulstaert” - Vierkante Zaal Paul Snoekstraat 3 9100 Sint-Niklaas Belgium 22 october - 27 november 2016
“Aesthetically, one might describe this condition as opacity in broad daylight: you could see anything, but what exactly and why is quite unclear. There are a lot of brightly lit glossy surfaces, yet they don’t reveal anything but themselves as surface. Whatever there is — it’s all there to see but in the form of an incomprehensible, Kafkaesque glossiness, written in extraterrestrial code, perhaps subject to secret legislation. It certainly expresses something: a format, a protocol or executive order, but effectively obfuscates its meaning. This is a far cry from a situation in which something—an image, a person, a notion — stood in for another and presumably acted in its interest. Today it stands in, but its relation to whatever it stands in for is cryptic, shiny, unstable; the link flickers on and off. Art could relish in this shiny instability — it does already.”
Hito Steyerl - Politics of Post-Representation Dismagazine